Sound
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The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their mother, by drawing on his school notebook. By the force of their desire, the children keep the link they have to their funny mother, despite the separation.
Supposedly dead that very morning in the pool from a "broken heart" while swimming the butterfly stroke, a strangely rejuvenated mother visits her daughter. In another time, further south, a village priest believes he sees a wall of his church shedding tears that form a face... Miracles? It's a matter of perspective, and even of hearing, suggests director Samuel Achache cheerfully. Certainly, a birth and a romantic encounter, two events that will also be discussed here, can be described as miraculous. But what about when a phenomenon that defies the laws of nature actually occurs?
