The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.

Trapped in an unhappy marriage, a woman mourns the devastation of the forest around her. An unexpected affair instigates an explosive metamorphosis, and she finds perfect release as a tree. But the world is a dangerous place for trees, and deep in the forest a forester and a student lay claim to a body of wood and leaf - one for money and one for love. A subversion of Ovid’s Metamorphoses, Like flesh is the fruit of a collaboration between a group of committed young artists. The Israeli composer Sivan Eldar creates an intriguing sound world by combining orchestral and electro-acoustic music. The British playwright Cordelia Lynn is already well known in English theatre circles for, among other things, her collaboration with Katie Mitchell to re-stage The Tempest.