The story of an introverted young girl just reaching adulthood who takes a liking to an older woman she meets at a party and determines to match her off with her father, despite the latter's already having a lover of his own.

After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who likes to write poetry, who only wants to be left alone to do his job, becomes a target for Communist harassment as they try and locate a particular loyalist, and he pushes back.

They were the perfect loving couple, well, almost. Emmanuel wanted a child but Philippe didn't. One day, however, Emmanuel decides to take the plunge, at the risk of losing Philippe. But how do you make a child when you are gay?

Malo has separated from his wife and a divorce is in the works. His children leave with his wife on holiday, and he is lonely and depressed. His friend Rémi drags him to a party in the country, and driving back they see by chance a notice of a house being sold at auction by creditors. The low reserve price surprises them and they go round to have a look. Finding the door open, Malo picks up a letter from a little girl to her father saying she misses him - moved by the resonance with his own daughter, Malo accidentally takes the note with him when they leave in a hurry. He then resolves to return the note to the now grown-up little girl Cloé, but of course it's awkward to explain how he got it. He learns that she really doesn't want to sell the house, which is all that remains of her childhood. The relationship between them develops, and emotions run high at the auction. Ultimately the film explores whether Malo can give both or either Cloé and his daughter what they want/need,

Henri Lanvern is shooting a film in Thailand. One evening, at the end of the shooting, he sees a friend of the war, General Cao Ba Ky, escaped from a communist re-education camp. No more news from Lanvern since.

After being released from prison, a burglar is convinced by a former accomplice to participate in the theft of a precious jewel belonging to a rich heiress.

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

Back in Saxon after ten years of absence, Farinet discovers that the village is under the yoke of Gaspard de Sepibus, director of the casino and president of the commune. He starts making counterfeit money to pay off his father's debts and help the villagers send their children to school.

A young woman goes for a mountain walk with her two little sons. The eldest, not yet quite adolescent but already wilful, finds a wounded horse. He doesn't want the animal to suffer any more. The mother wants nothing to do with it. Beautifully shot, attractive mid-length short shot in beautiful nature about a rite of passage.

It is carnival time in Munich and participants are overindulging in alcohol and sensual pleasures. "Follow us into madness" beckons Lys who is drunk on life, but the sensitive Henry does not follow him. Lys has betrayed his fiancé, as Henry once betrayed his lost love Anna. In memory of Anna and his cruel Dickensian childhood, Henry challenges Lys to a duel to try to appease his guilt.