Sylvie lives with her two children whom she’s raising on her own. One evening, there’s an accident, and her youngest son is removed from her care. Sylvie must subsequently fight to get her son back and to keep herself afloat.

The fourth and final part of a cycle of horror and barbarism. The ultimate progression of an inexorable march of evil before the restoration of peace. It's not just about the magnetic and fascinating character: it's more the painting of a bruised and devastated society, conducive to the hatching of a monster in question.

Emmanuelle and Mirra love each other and dream of having a child born only of their love. When Mirra suddenly becomes pregnant, in spite of all biological plausibility, the surprise is total and the joy at its height. For Emmanuelle, however, things are less clear-cut.