Coffee has been outlawed and an organization of retired people smuggle coffee from the Swedish mafia, while Walter pursues his new love interest and Carlo deals with a midlife crisis after being dumped by his girlfriend.

During a production of "Hamlet", the withdrawn lead actor and the girl playing Ophelia, who has just escaped a life of drugs and prostitution, spark an unlikely and low-key romance.

The neighbourhood is tough. New-built concrete towers, which are not yet completely finished but already slum. Daily police raids. Daily suicide jumps from the roofs. Here lives Sally in a two-bedroom, with her parents and younger brother. Sally is dreaming big. She wants to be a fighter pilot, and she wants to be rich! She has already started her own business, collecting empty bottles and bits and pieces of scraps. And Sally don't care much for the immigrants in her area. She takes every opportunity to vent her inner racist. Turkish Zuhal move in with his family. "A new flock of Bedouins" Sally condescendingly comments. But what she does not know is that this will be one of the major turning points in her life ...

The girl Eva's parents are too busy at their jobs in the airport to go on summer vacation with her, so she decides to go with her grandmother in the attempt to find Eva's grandfather Åge, who used to be a pilot.

One night he will fetch the silver from the night sky Jonas loves his fathers magical stories. When Helge dies, Jonas ends up in an orphanage whereupon dreariness and discipline rule his life until a group of circus performers appear in the village.

To what extent does a director stay objective and anonymously hidden behind the camera? The Danish director Jon Bang Carlsen knows for sure that the choices he makes in his films aren’t accidental. Several excerpts from his own work show that events in his personal life have a major influence on his work. In fact, he appears to be using images that he recognizes in particular. It’s a revelation for this filmmaker, who used to think he could stay objective and invisible. Topics such as doubting his faith, his runaway father and impressions from a carefree childhood are recurring themes in his diverse oeuvre. Showing us individual scenes, Carlsen comments in voice-over on the images and muses about his life and work.