Directing
No biography available.
An inquiry into film criticism in Argentina framed inside the historical debate about film ontology
The filmmaker is asked to direct a short film for the opening of a certain festival. The responsibility upsets and distresses her. She finds a solution that results in a manifest secret about fragile cinema and it’s adventures.
A short film directed by Flavia de la Fuente.
For two winters, just like the fishermen that feature in the film, the director went out every morning to shoot the coast in San Clemente del Tuyú, a few meters from her house. From the copious footage, she chose fifteen days that reveal the tension and the diversity of textures, sounds and small stories that are born out of patience and attention.
Flavia de la Fuente returns to the same spaces from her 15 Days at the beach to document noghtfall and the variations of darkness, with images as pleasant as they are mysterious.
Flavia de la Fuente abandons for this time the portraits of her favorite city, San Clemente, to travel to another place and dedicate one of her works to Buenos Aires, in what promises to be the first part of a series. La ciudad y los patos portrays a typical place of Buenos Aires tourism but, as it usually happens with the films of its author, it is the times that end up giving beauty to some spaces that we all get tired of seeing, but that routine has always shown us in the same way, hurried and neglected.