Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.

Helena, married to decorator Bruno, is a woman dissatisfied with the futility of social life. She rekindles her relationship with her former boyfriend, Clóvis, and discovers how difficult the struggle for happiness is by seeing the example of the less fortunate. After saving herself from the rough seas on the beach, Helena finds herself possessed by a mystical fear. On New Year's Eve, while the people celebrate Iemanjá, Helena and Bruno throw a lavish party. Their employee, Luiz, is arrested as a suspect in the death of a woman found on the beach. Having a disagreement with her husband, Helena leaves the party and throws herself into the sea. She is saved by Umbanda followers and welcomed by Bruno, who tries in vain to comfort her.

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.