A tiny parcel shop in Berlin, which sends packages to faraway loved ones, offers the city’s Georgian community a slice of home.

Visual artist Daniela Torres creates colorful ceramic dick sculptures inspired by the men who have been dicks to her. In this intimate artist portrait, Daniela shares her struggles, anger and catharsis as she creates a sculpture modelled after a series of unsolicited dick pics. She also shares her process with a diverse group of women who come together in one of her popular Berlin-based dick sculpting workshops. It's a hands-on approach to healing trauma that yields beautiful results.

In conversations with her parents Yıldız and Mustafa as well as her brothers Taner and Onur, she goes on a painful journey into the past. Political persecution of the Alevi-Kurdish family in Turkey, the flight to Europe in 1989, several racist attacks, depression and excessive demands on the parents – the effects on the three siblings are different. Dealing with the experiences and strokes of fate causes different reactions in them. Bektaş quickly realizes that the uncertainty about Taner’s fate in Turkey is only a reflection of her life experience as a family in exile.

Once a week they meet in an apartment to escape the big city and to become poets for a few hours. On one of these days an unexpected guest pays them a visit.

A house, as if frozen in time, carries within it the lives of several generations of families. As an adult woman, M. returns to this place to remember her deceased mother. She finds memories of her childhood, of letting go, of the brutality of growing up. As a child, M. is torn between truth and fiction, past, present, and future. Out of fear of losing someone, M. creates a new person.

Due to a layover a woman finds herself in an unremarkable, deserted city. While walking aimlessly, she meets a lady who delivers newspapers no one reads, and a man who is looking for his cat.