EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.

In late 1950s Poland, jazzman Fabian returns from England and forms a swing big band that quickly rises to fame. Their glamorous new singer, the enigmatic Modesta, becomes both the group’s star and Fabian’s love interest. As their success begins to resemble a Hollywood musical, the authorities take a growing interest in their world of music and romance.

Aniela has lived the first half of her life as a man: with an office job, a wife, and two children. But neither her family's opposition nor repression by the government in Poland can stop her from finally becoming the person she's always been.

Filipka, a person of fluid gender identity, is preparing for their first stage performance. However, they are more concerned about their conservative parents' opinion than the reaction of a crowd of strangers.

Aaa, Billy, Dawid, Filipka, and Olo perform, support each other, and protest, facing a hostile environment for queer people in Poland. In his first feature-length film, artist and choreographer Alex Baczyński-Jenkins accompanied this group of friends for a few years.

It is night in Warsaw. Two very different homes. In one, a father watches sports lying on the sofa, expecting the son to do the same. In another apartment, a wealthy-looking mother sits at the table to dine with her daughter, completely different from her. At the same time, the boy and the girl embark on a nocturnal adventure of transformation, during which they strip off the various stratifications of gender that they have inherited. The streets of the city are transformed into a liberating walkway. When by chance they meet – face to face, body to body – they mirror each other in silence, offering comfort, safety.

It's the last week of school in a small polish town's junior high school. Waiting for the final party, several students pass the time at a city pool, as if anticipating the emotional whirlwind they are about to experience. The action takes place somewhere in Poland, where ‘LGBT free zones’ are a reality in 2020. It’s a story about young people, their problems and romantic endeavours in the era of the Internet and social apps, when creating genuine relationships is unnaturally difficult.