A retro-futurist story of utopian politics, ideological conflicts, supernatural leaders and totalitarian spectacle. Cyberpunk queer pirates against rainbow homo-capitalist normies. Revolution vs reformism; logic vs affect. The trappings of post-internet identity politics through a contemporary take of the myth of Orpheus.

A retro-futurist story of utopian politics, ideological conflicts, supernatural leaders and totalitarian spectacle. Cyberpunk queer pirates against rainbow homo-capitalist normies. Revolution vs reformism; logic vs affect. The trappings of post-internet identity politics through a contemporary take of the myth of Orpheus.

A retro-futurist story of utopian politics, ideological conflicts, supernatural leaders and totalitarian spectacle. Cyberpunk queer pirates against rainbow homo-capitalist normies. Revolution vs reformism; logic vs affect. The trappings of post-internet identity politics through a contemporary take of the myth of Orpheus.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

The Engelbecken is not just a normal place between the Berlin districts of Kreuzberg and Mitte, but also symbolic, a kind of metaphor: for the Wall that runs through the whole of Berlin and the deadly landscape that surrounds it, the death strip. It is a place of division, of death, of limitation and confinement. In their essay film, Gamma Bak and Steffen Reck look at the oppositional subculture in Prenzlauer Berg/East Berlin.

Golfe is an adaptation of the 19th-century bucolic idyll of Golfo and the eponymous first silent feature film of Greek cinema in 1914. The film reimagines the classic late 19th-century greek drama in a 21st-century context rethinking the recent European economic and political crisis between Greece and Germany. The new story of Golfe highlights particular ideological traits that gained popularity within the indignation movement and parliamentary politics in Greece during the time of an imminent Grexit. The film employs elements of Esoteric Nazism, Perennialism, Eurasianism, and the Third-Rome doctrine to reflect on nationalism and the dark ideological intricacies of that period.

Brace yourselves for a meta-tantric experience, where affirmation and post/anti-cybernetic nature unite. Discarding a world of deception and illusionary appearance, subjects and objects collide in a carnal triumph. At once earthly and metaphysical. Combustion of intertwining remains.

Golfe is an adaptation of the 19th-century bucolic idyll of Golfo and the eponymous first silent feature film of Greek cinema in 1914. The film reimagines the classic late 19th-century greek drama in a 21st-century context rethinking the recent European economic and political crisis between Greece and Germany. The new story of Golfe highlights particular ideological traits that gained popularity within the indignation movement and parliamentary politics in Greece during the time of an imminent Grexit. The film employs elements of Esoteric Nazism, Perennialism, Eurasianism, and the Third-Rome doctrine to reflect on nationalism and the dark ideological intricacies of that period.

Golfe is an adaptation of the 19th-century bucolic idyll of Golfo and the eponymous first silent feature film of Greek cinema in 1914. The film reimagines the classic late 19th-century greek drama in a 21st-century context rethinking the recent European economic and political crisis between Greece and Germany. The new story of Golfe highlights particular ideological traits that gained popularity within the indignation movement and parliamentary politics in Greece during the time of an imminent Grexit. The film employs elements of Esoteric Nazism, Perennialism, Eurasianism, and the Third-Rome doctrine to reflect on nationalism and the dark ideological intricacies of that period.