Kusumo lives happily with his wife and his two kids; Tati and Toto, in Surabaya. Their happiness is interrupted when Kusumo meets Maryati; a widow from Yogya. They meet when she falls victim to some pickpockets when she is shopping. They decide to marry and Kusumo leaves his family, without telling them anything. Sulaiman; a friend of Kusumo, brings him back to his senses and succeeds in persuading Kusumo to return to Surabaya. On the way, Kusumo crashes his car. When his first wife visits him in hospital, he asks for forgiveness before he dies.

While studying in the Philippines, Cokorde Gde Rai meets Angelo Reyes, who is planning to go to Indonesia to enhance his knowledge as a botanist. Before going to Bali, Cokorde takes him to sightsee, to Borobudur and other places. After a few days in Bali, Reyes’ girlfriend, Liza Presler, arrives. But there is a problem as Reyes has fallen for Aryani, sister of Suryati, who is the girlfriend of Cokorde. Liza tries to stand in between Reyes and Aryani, and she fails. At the end, Liza gets Raka instead, who initially proposed to Aryani, but failed as she had chosen Reyes.

When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.

Featuring the clash between modern thinking against traditional conservatism, the story has the troubled romance between the noble princess, RA Rusmini, and the peasant, Bachtiar. This film ends with compromise, that there is nothing wrong with either modernity or tradition.

The music score in this film is performed by Oriental Novelty Five, a Hawaiian music group.

Sugiati loves all of her children, Achmad, Idris, Sumadi and Supinah. Sumadi receives the most attention as Subagio, his father, often blames him. But Subagio leads a double life as a thief. To defend his father, Sumadi takes the blame for his father’s crime. He is sent to exile for his confession. Subagio feels guilty, becomes ill and finally passes away. After the death of Subagio, the children refuse to take care of Sugiati who ends up in a nursing home. Upon his return from exile, Sumadi is appalled by his siblings’ treatment of their mother and settles the score with his brothers and sister.

The film featured 12 keroncong hits and is considered as the first musical film in Indonesia

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Yudi has just got out of jail but Bono and the gang force him to commit another crime. Unlike the others in the gang who spend their money for fun right away, Yudi saves his money in the bank. He then meets Sari and starts changing his life. Bono and the gang are mad when they find out about it and they kidnap Sari’s sister. Then Yudi has to fight them and they all die, including Yudi.