In his first film work, Kubelka evokes episodes of flirtation, courtship, and break-ups, played out against a series of non-corresponding audio excerpts.

In his first film work, Kubelka evokes episodes of flirtation, courtship, and break-ups, played out against a series of non-corresponding audio excerpts.

In his first film work, Kubelka evokes episodes of flirtation, courtship, and break-ups, played out against a series of non-corresponding audio excerpts.

This portrait of the great Austrian writer combines a brilliant monologue delivered by Thomas Bernhard and the artful film work of Ferry Radax.

The lord of the castle is found shot. His sister takes care of the appropriate wake, a firearm-happy guest from Spain romps around in the walls. An Italian listens to records of Bartók. The police doesn't appear.

A sailor appears at the port of Buenos Aires, and at the same time as a dandy in Fegina, the “Riviera” of Monterosso al Mare (double-role: Konrad Bayer). Through a kind of “inner monologue” both are dependent on one another in a cryptic way. An elegant, cool beauty (Suzanna Hockenjos) becomes bored with the dandy, causing him to suddenly (in order to impress her?) shoot the sun from the sky, which produces a very erotic Eve (Ingrid Schuppan), but gives nothing more to the dandy. Thereupon, he further knocks down the moon, but this spectacle also bores the cool blonde. Incensed about this, the dandy destroys his entire strange world. In doing so, he loses Eve. Grief regarding her death and despair regarding the unwelcoming lady turns the dandy back to a sailor. He returns to the sea.

Interview film with the protagonists of the New German Cinema in 1966.

Interview film with the protagonists of the New German Cinema in 1966.

Interview film with the protagonists of the New German Cinema in 1966.

The lord of the castle is found shot. His sister takes care of the appropriate wake, a firearm-happy guest from Spain romps around in the walls. An Italian listens to records of Bartók. The police doesn't appear.