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A poetic investigation into the possibilities of cinema, recovering the truth of the things that are see on the screen and reminding viewers of the persuasive power of the image, that sensitive magma where the dead dance and find their voices again.
An insight into one of Argentina's most famous marketing campaigns of the late 1990s and early 2000s: la llama que llama. Their creators talk about their creation on its 25th anniversary.
The venerable VHS may have surprises. A strange spell captures the protagonists, who are friends, and submerges them straight into the world of the most implausible Argentine cop films. An amazing flow of images lost, forgotten and recovered whose consumption threatens to become addictive.
Félix Monti is synonymous with cinematography in Argentina. From his early steps in the legendary San Miguel studios to his recent work in large-scale Argentine film productions, Chango has never stopped working. Directors Alejandra Martín and Paola Rizzi, also colleagues of his, chose not to shoot a motionless documentary and filled it with vitality –the same vitality the experienced cinematographer moves around with in every shoot or stage he sets foot in.
A scam disguised as friendship.
Two men compete for the love of a woman with an unexpected destiny.
Alicia takes care of her quite elderly mother. A party is the opportunity for the ideal meeting that she wants.
The military coup of '76 means that the birthday of a little girl named Paula does not pass normally.