In order to recreate a picture taken in 1974, during the inauguration of São Paulo subway, Pedro meets two school friends he had not seen for 40 years. If their existential crises, ageing and (astray) ways were not enough, Pedro announces, to everyone's surprise, he intends to take his own life — even though not before he sees his soccer team win a championship.

After the sale of the Blessed school, Vitor tries to start his life over again and takes a vacation at his cousin's house. Arriving there, Vitor mysteriously disappears without leaving any trace. The residents of the house, worried, decide to look for their friend.

Diagnosed with leukemia, a vibrant, soccer-loving teenager enters the hospital, where she finds purpose in friendship and her example influences others.

The drama recounts the need for dialogue and attention on raising children through their characters: three mothers and their children. Marcia (Dani Tavares) A high-class mother and married, who always had everything and provides the same for your child, Angela (Ruth Cherem) a single mother of middle class, which makes everything so that your daughter does not her make the same mistakes of the past and Deborah (Val Ribeiro Valquiria Ribeiro) a low-class mother abandoned by her husband, who struggles to raise your child the best possible way. What do these women have in common is the love for their children that make it able to do everything for them, but sometimes it takes more to save the family loose links. It takes great faith.

After 20 years of marriage, Ana Lúcia and her husband Fábio decide to get a divorce. Fábio, however, decides to move to an apartment across the street, in front of the window of his former apartment - where Lúcia still lives. Both will have to learn how to deal with job crisis, problems with their daughter and this whole new situation.

A movie adaptation of a story created by one of the greatest Brazilian cartoonists: Laerte. Two dumb clowns wander at night with the task of rescuing a kidnapped mate from an organization that aims to exterminate their kind. 'The Night of the Dumb Clowns' is a contemporary fable filled with humor against intolerance.

1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.

The documentary “Pagliacci” celebrates – in a poetic way – what it means to be a clown. The film addresses philosophical and symbolic questions about man’s need to laugh at himself. In a sensorial and emotional mix, the film starts from what is most human and true: laughter.

Maria, a virgin spinster, is trying magical superstitions to find a husband. In her dialogue with the marriage saint, she implores for a companion. Her father offered her as a bride to Saint Djalminha, if the saint saved her during her complicated birth which ended in the death of her mother. Since then Maria has lived this dilemma: revered and loved by the residents and pilgrims that believe she is a miracle worker; she is desperate to live a great love, with a flesh and blood prospect with real passionate desire. She asks for a sign from the heavens, a clue on how to find a crumb of love when a gypsy arrives on scene saying "someone who loves her very much, but she doesn't know will come from afar on an artists' caravan." Maria can't take the solitude she is living anymore and decides "to find Mr. Right," no matter how much it may cost.