Javier must reintegrate into society after spending 14 years in prison. His family and friends reject him, so he takes refuge in a house where he rents a room. There he meets Amanda, who helps him find a way to reunite with his teenage daughter that he barely knows.

Jerónimo is an antisocial local man who rents rooms in his home to expats so he can snoop around their belongings. One day Sanna arrives, a girl who will change Jerónimo’s life. They start getting closer until Jerónimo discovers that Sanna is hiding something in his house.

Santiago 1984. Carmen, former JJCC, after being tortured by the CNI, works as an undercover agent. Francisco, an agent obsessed with her, infiltrates her in an advertising production company, meets Gastón, creative director. He discovers that he is planning a commercial in the mountains as part of an escape operation for a political prisoner. Carmen manipulates both of them, lying to Francisco and approaching Gastón, in order to join the operation and thus achieve her own escape.

Esteban travels northern Chile in search of Isabel. His journey takes him across the desolate towns and colorful characters she came across and becomes his own odyssey of self-discovery.

This documentary introduces us on the daily life of a group of kids who live on the street. Through the narrative and experiences of the protagonists, we discover the Latin American marginality hidden beneath a contemporary city like Santiago de Chile. The camera turns into another one of the group, eventually becoming part of this type of family life born from the tight friendship with which these kids survive.

At a bus stop, a boy has a brief moment with a girl.

At a bus stop, a boy has a brief moment with a girl.

This documentary introduces us on the daily life of a group of kids who live on the street. Through the narrative and experiences of the protagonists, we discover the Latin American marginality hidden beneath a contemporary city like Santiago de Chile. The camera turns into another one of the group, eventually becoming part of this type of family life born from the tight friendship with which these kids survive.

Kai is a young Danish who walks the streets of Santiago to make a short film and as in a game of mirrors, it is recorded at the same time, leading him to participate in a film that also can be understood as a documentary.

This documentary introduces us on the daily life of a group of kids who live on the street. Through the narrative and experiences of the protagonists, we discover the Latin American marginality hidden beneath a contemporary city like Santiago de Chile. The camera turns into another one of the group, eventually becoming part of this type of family life born from the tight friendship with which these kids survive.