Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

A group of people are recruited by the brain of a band of robbers to commit the theft of some gold bars. Each character has a particular problem why he needs the money, but all are pretty sloppy.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

Julián, a divorced man with financial problems, uses a cell phone application to share his car with strangers.

Victor Raven, a famous rock star, returns to his childhood home to shoot a music video. Believing his presence is responsible for the return of a monstrous hound that killed folks when he was kid, the locals decide to do something violent about it.

A group of friends finds a dilapidated place and decide to repair it, paint it and live in it in communal plan. The problem is the bank, owner of the premises, does not want them occupied so they threaten to call the police to evict them.