Three stories are intermingled by the same theme: possessions.

Brasilia, 1973. At the height of the military dictatorship, seven friends, young as the city in which they live, dream of living in theater. Led by director Léo, the group carries out the rehearsals of a play that weaves comparisons between Jesus Christ and the cangaceiro Lampião. While political repression runs wild in the federal capital and sexual freedom is still taboo, Bia is increasingly being held prisoner by her mother's obsession, causing everyone to increasingly question the concepts and values of society.

João Carlos Martins was a child with serious health problems. Because of this, he had a reclusive childhood. But one day, the piano came into his life. He arises as a stubborn boy who, in a few years turns into one of the biggest promises of the world classical music.

Narciso is a Black orphan boy living at Carmem’s house until he is adopted. He dreams of having a family, but has had only disappointments so far. To cheer the boy up, his friend, Alexandre gifts him an old basketball, with the promise that, if he scores three baskets, a genie will appear and make his wishes come true.