Directing
Fernand Dansereau (born April 5, 1928) is a Québécois film director, writer and film producer.
Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.
Every morning, Marcel confides in his tape recorder. It is from his reflections on life that this film takes us into the wake of his story.
Fernand Dansereau is one of Québec’s most prolific filmmakers, having produced, directed and written more than sixty documentaries, fiction films and television serial dramas.
In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.
This documentary explores the economic, sociological, and cultural aspects of food systems and consumption in a major city, focusing on the disconnect between food production and consumption.
Idle hours at a summer cottage, when her husband is at work and the children busy at play, give a wife time to dream a little and reflect on her life and her marriage. Is it enough? What else might she have made of herself? But then her husband returns and she opts for things as they are. A relaxed drama that has much of the mood of a summer outdoors.
When Madeleine is diagnosed with Alzheimers, she makes two important decisions. One is to keep it from her family. The other is to revisit her beloved Gaspésie and relive, for one last time, the memories this evokes. Encountering Zoë, an emotionally disturbed young musician, Madeleine asks her to be her driver for the trip.
An eccentric old grandmother decides to leave her nagging daughter's house to live on her own. Her teenaged granddaughter seizes the opportunity to go too.
They come in high-powered convertibles, with cameras and curiosity, to look at French Canada and French-Canadians. Their usual objective is Québec City, where they can soak up a bit of French culture without a trip to France. With an eye for humour, VISIT TO A FOREIGN COUNTRY shows the people of Québec taking a look at American tourists who have come to Québec to take a look at them.
An animated film made with humor and tenderness whose action takes place in a small village in the African bush.
The use of any language other than French in Quebec, particularly when separatist fervor is high, often serves to incite protests and even legal action. This French language documentary examines separatist feeling in parts of Quebec, and reviews language grievances. Among the conflicts examined is one with General Motors. It must be stated that the documentarian are clearly in favor of the separatist cause, and are also in favor of Quebec's "encouraging" companies doing business in Quebec to do it (at least officially) in French. From the evidence of this documentary, the attempts of Canadians outside of Quebec to pacify the Quebecois with "bilingualism" seems unlikely to succeed.