Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms makes him runaway whenever he sees one. Because of this, police mistakes him with a terrorist and takes him and his friend Muzo into custody. Fooled by the police during the interrogation they name another friend, Aydin, in hope of saving themselves. As they all end up in prison, they remember the families and lovers they left behind.

Ferhan Şensoy and Ortaoyuncular bring Aristophanes' immortal work, believed to have been written in 422 BC, to the present day. Şensoy adds his own interpretation to Aristophanes' satirical critique of the justice system, and we enjoy watching the play that emerges as he mocks the justice mechanisms of ancient Greece.

The Ottoman Empire through the eyes of an abstract sultan, who is unknown even to his own people, who always delegates his responsibilities to the wrong people around him due to his incompetence in state affairs, and who knows nothing about war.

The Ottoman Empire through the eyes of an abstract sultan, who is unknown even to his own people, who always delegates his responsibilities to the wrong people around him due to his incompetence in state affairs, and who knows nothing about war.

Ferhan Şensoy and Ortaoyuncular bring Aristophanes' immortal work, believed to have been written in 422 BC, to the present day. Şensoy adds his own interpretation to Aristophanes' satirical critique of the justice system, and we enjoy watching the play that emerges as he mocks the justice mechanisms of ancient Greece.

Based on the life story of Karl Valentin, one of the few theater artists who was not banned in Germany during World War II, this play written by Ferhan Şensoy satirizes Germany from 1914 until Hitler's rise to power and Özal's Turkey during that period.

Based on the life story of Karl Valentin, one of the few theater artists who was not banned in Germany during World War II, this play written by Ferhan Şensoy satirizes Germany from 1914 until Hitler's rise to power and Özal's Turkey during that period.

Ferhan Şensoy's play criticizing the new world order and capitalism.

Ferhan Şensoy's play criticizing the new world order and capitalism.

Ferhan Şensoy says the following about The Threepenny Opera: "When updating Brecht's (The Threepenny Opera) 67 years later, I sometimes approach John Gay's "The Beggar's Opera." For example, in the original work performed 267 years ago, Mack the Knife was a folk hero, while in Brecht's version, he is an ordinary thief. Our own Mahmut is a Kemalist gangster. But we don't stray too far from Brecht; in our play, too, the wrong characters say the right things. And yet The Threepenny Opera is not an opera. It is not a Brecht 'work.' It is an epic farce as close to Brecht's Kel Hasan Efendi as it is to his own work."