In the small village of Rátót, every male is called Béla. When a woman gives birth to her child, she names him Józsi...

Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.

The Witness (Hungarian: A tanú, also known as Without A Trace), is a 1969 Hungarian satire film, directed by Péter Bacsó. The film was created in a tense political climate at a time when talking about the 1950s and the 1956 Revolution was still taboo. Although it was financed and allowed to be made by the communist authorities, it was subsequently banned from release. As a result of its screening in foreign countries, the communist authorities eventually relented and allowed it to be released in Hungary. It was screened at the 1981 Cannes Film Festival in the Un Certain Regard section.[1] A sequel was made in 1994 named "Megint tanú" (English: Witness Again).

Blondie and Árpi love each other very much. She is a hairdresser, he is a confectioner. Blondie's parents are divorced and she lives with her grandmother. Árpi loves her parents, but has long been angry with her brother-in-law, whom she knows to be keeping a mistress. Pista turns the parents against Árpi, and after a quarrel, the boy decides to leave home. Then he has an even better idea: marry Blondie. She is just as much of a hebrensch, so she insists on marriage. It's summer, and the Árpi's move to their summer cottage on the top of the hill. But they are unprepared for independence, and so they have a series of conflicts. They quarrel badly, and Blondie moves back home. To Arpi's surprise, her father persuades her to make up with him. Blondie sulks at first, but her lover overcomes her resentment. They try again, together.

The Three Musketeers in Africa is a novel written by a Hungarian novelist Jenő Rejtő with the penname P. Howard. It tells the story of Csülök, Senki Alfonz (Alfonz Nobody) and Tuskó Hopkins, the three legionaries . They have to deliver an important letter to Marquis De Surenne and protect a young lady called Yvonne Barre through the desert and lead her to a safe place. Although these three men are outlaws , they try to do everything to help people who are in need. This is a very exciting book with the unique humor of Jenő Rejtő.

The makers, especially Péter Tímár wanted to invoke the atmosphere of the communist dictatorship of Rákosi era lasted from 1947 to 1956. I think they've managed to reconstruct it very much: if you read the history books about the era and newspapers from that times, if you listened to your parents' and grandparents' tales, you will experience the similarities are shocking. The main character (Tutti - Károly Eperjes) is excellent, Eperjes, acting an eccentric, but likable crank is in his royal spirits.

Andrei, the Russian astronaut, has been conducting his research in space on the MIR space station for months, but his landing is being delayed. His wife Svetlana calls him regularly from the space centre by video phone. A casual quarrel between the two (she forgot to pay the gas bill) gives Svetlana the opportunity to tell Andrei that she is seeing someone and that she is leaving him. She runs all the way to Rome after her Italian lover. A virgin black girl meets a man who wants only one thing: to take her innocence. A woman criminal psychologist, with an almost personal interest, "interrogates" a prisoner who breaks down and confesses, while the psychologist's life is shattered... An old man's ear is cut off by a hairdresser and an intimate relationship develops between the two.

This mocking criticism of public life and the media focuses on a TV series. The protagonist of the film, depicting the battles fought for Hungarian castles during the Ottoman occupation, is chosen to be the amateur Prohászka Feri, a worker in the beer-factory.