Film Gila Talak is a Malay film published in Singapore which was then part of Malaya in 1963. Film Gila Talak published in the form of black and white film without color. The film directed by director of Gila Talak Hussein Haniff in 1963. The film is also a continuation of the movie "Masuk Angin Keluar Asap" (1963).

Amir is a waiter who dreams of becoming a well known composer. He admires Aminah the singer at the place he works. He requests of her to sing his songs but she refuses. Hasnah the cashier at the restaurant pity's Amir being ridiculed by Aminah when he confesses his love for her. On the other hand Hasnah as well has feelings for him. One day an opera owner heard of Amir's songs and offered him to work at his place. Amir requested that he would go if only Aminah was to follow along. Zakaria manage to make a deal and they both worked togetthon many songs and Amir became popular since then. Aminah on the other hand began to like him. They ended up getting married and had a son, Nana. Amir loved his son so much that he gave all his attention to his son not knowing of his wife's affair with a man named Hassan who happens to be Amir's close friend. Hassan in the end managed to talk Aminah out in leaving Amir and bringing her child along.

Dang Anom, the beautiful daughter of Sang Rajuna Tapa, is engaged to Panglima Malang. Having fallen for Dang Anom, the Sultan makes her his concubine against her wish. Panglima Malang is helpless but manages to sneak into the palace for a secret meeting with Dang Anom. Unfortunately, they are caught and the Sultan sentences the lovers to be killed in a cruel manner. In order to save his daughter, Sang Rajuna Tapa opens the gate of the fort and lets the army of the Majapahit into the sultanate.

Datuk Karim Jaya death is good news to Datuk Bandung and his followers who want to seize power.

Kassim (P. Ramlee) returns to Singapore after finishing his studies in London and is thrust into a betrothal with the daughter of his father’s benefactor, Salmah. However, Kassim has already met and fallen in love with someone who shares his interest in Persian poetry. She is Rahimah, a flower salesgirl in Singapore. They go on dates to the nursery, and spend time together (dancing) in a paradise-like garden (Alkaff Gardens). Even after Kassim returns to Kuala Lumpur to work in his benefactor’s rubber plantation, he never forsakes Rahimah and has a rendezvous with her in Singapore when the opportunity arises. Together again, they watch movies at the Rex Theatre, and vow to get married. Unfortunately, Kassim’s father insists on him marrying his benefactor’s daughter, Salmah, who is a rich and cultured girl. Kassim decides to fulfil his father’s death wish and marries Salmah. Eventually, fate brings Kassim to reunite with Rahiman again in their twilight years.

Manis and her fisherman father receive a guest named Suleiman at their humble kampung house. He is well-liked by them both and becomes a frequent visitor who helps out with the daily chores. Unbeknownst to Manis, the young man is in fact a prince-in-disguise. So a romance between a royal and a commoner blossoms, as the couple exchange teasing pantuns at the next opportunity - while gathering wood, or while tidying up the rumah ibu. All is bliss when Manis agrees to marry Suleiman in secret even after finding out his true identity. Separation of the loving pair beckons when the prince receives news from the palace and returns to his ailing father, who at his death bed agrees to a royal intermarriage between his son and a princess from a neighbouring monarchy. A family reconciliation and cursed tragedy ensue.

Puteri Gunong Ledang (or The Princess of Mount Ledang) is a 1961 Malay period film directed by S. Roomai Noor and based on the Legend of Puteri Gunung Ledang. The film introduces actress Elaine Edley in her first film role.

Tengku Iskandar helps to run his father's business in Singapore and is known among his friends as Ariffin. He is a hardworking and passionate young man who helps his friends in distress. He is also on good terms with Marhani who works as a nurse in a hospital in Johor Bahru. When Ariffin is assigned by his father to travel to Jakarta to manage their business there, he takes the opportunity to confess his love towards Marhani and makes a vow to return to affirm their marriage. Unfortunately, the Jakarta-bound airplane Ariffin boards crashes. No survivors are reported. Marhaini is devastated by the news and decides to take a break from work at the hospital. Ariffin's father too falls ill after hearing the tragedy. Marhani's younger sister, who is also a nurse, is employed to take care of Ariffin (Tengku Iskandar)’s father and young siblings Tengku Shah and Tengku Ngah. But the junior tengku-tengku are too much to handle for Marhani’s sister.

Normah is married to a workaholic painter who is more intent on making money out of his art than showing concern and affect for her. She couldn't care less about his artistic pursuits and spends time dolling herself up. Her beauty catches the eye of Jamal, a car salesman, who pursues her to the neglect of his work, wife and children. Initially reluctant, Normah eventually gives in to Jamal's attention and a heady adulterous affair follows. However, Jamal's wife gets wind of their illicit relationship and he promptly forsakes Normah for the security of his family. Lonesome once more, Normah [the feminist heroine of the film] doesn't take long to lose herself to the thrill of another extramarital fling, this time to a fashionable and showy young man.