Documentary about the beginning of stand up comedy in Argentina. It tells through its protagonists how it all started, and how it grew until it became part of the culture of this country.

In 1960, a team of Israeli secret agents is deployed to find Adolf Eichmann, the infamous Nazi architect of the Holocaust, supposedly hidden in Argentina, and get him to Israel to be judged.

Argentine comedian Ezequiel Campa explores various topics about his family life, from his depressed mother who brings everyone into her depression, to growing up with a father who was so cheap that he had to share his birthday party with another child in the neighborhood.

Alan, Dante and Pedro are three friends who grew up together from an early age. One of them ends a long relationship with his girlfriend and remains disconsolate. His two friends decide to lift his spirits by organizing a party.

Damián, Facundo, Luciano and Marcelo have been friends since childhood and they share the passion for classic rock and roll on vinyl records. Their relationship is also marked by other big subjects: friendship and girls. When one of them decides to get married the four lives stir up.

On the surface, Saya is a stunning 16-year-old, but that youthful exterior hides the tormented soul of a 400-year-old "halfling". Born to a human father and a vampire mother, she has for centuries been a loner obsessed with using her samurai skills to rid the world of vampires, all the while knowing that she herself can survive only on blood like those she hunts.

It Can Be Funny brings together the most representative comedians of the Buenos Aires scene to talk about comedy, from the creation of a joke, the search for one's own voice, the staging and the meeting with the audience.

As an Indie Horror flick director gathers his filmmakers for the final viewing of the film they have just wrapped, gruesome deaths occur to the cast and crew as they watch the very lethal Director's Cut.

It is the fourth stand-up special by Argentine comedian Ezequiel Campa, characterized by high-energy monologues, original material, and incisive observations.

In a mental asylum, Julián, wrapped in a straitjacket, tells us the reason for his madness... Killing his best friend seemed like a very easy task.