A recording of the final night of Emma Rice's transgressive and flamboyant production of Shakespeare's comedy at the Globe in London. Four runaway lovers find themselves smack bang in the middle of a dispute between the King and Queen of the fairies, and, as if that wasn’t enough, a troupe of amateur actors are trying to rehearse a play. Between these unlikely groups flies Puck, armed only with a wicked sense of humour and a love potion capable of making anyone fall for the first person they set eyes upon. What could possibly go wrong?

On a bleak Christmas Eve, a lonely young girl who lives in an oppressive orphanage embarks upon a colorful, fantastical journey of self discovery and love.

This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.

Smack bang in the middle of nowhere (or was it somewhere on the legendary Route 66?) two women are thrown together by chance. Stranded tourist Jasmin stumbles out of her unhappy marriage and finds herself at Brenda’s remote cafe and motel. Ordinarily, no one would choose to stay at the Bagdad Cafe but in the dust and isolation, unexpected and extraordinary friendships begin to blossom. The lost are found as individuals transform into an eclectic community bound by music, magic and some very strong coffee.