A not-so-young man who likes women tries to organize a girl to his son.

A documentary study of the circumstances and course of the drama that played out in the second half of the 30s around the project of creating "Soviet Hollywood" in the USSR - the center of the film industry in the image and likeness of the American "dream factory". Dramas in which human characters, ideological conflicts, and the spirit of the era were vividly manifested…

A two part documentary about the first five decades of Russian cinema: from its birth to 1953 - the death of Stalin and the first seedlings of the thaw. The film covers the most important milestones of cinema. Its introduction as a lowbrow entertainment, the impact of WWI and revolutions on the film process. The principal masters - Kuleshov, Vertov, Eisenstein - and their discoveries in film language at the turn of the 1920-30s. The arrival of sound. The evacuation of the Soviet film industry during WWII and the heroic work of the wartime documentary crews. Restricted film production and early signs of the thaw in the late 1940s - early 1950s. Film historians and art critics, directors and screenwriters put the history of cinema in a broader context, considering the path that the country took from Tsarist Russia to the totalitarian state under the rule of Stalin.

The documentary film "Cinematic Language of the Era: Marlen Khutsiev" is timed to coincide with the upcoming centenary of the master. In our film, talking about the life, work and dreams of Marlen Khutsiev, we focus the viewer's attention on the master's unique film language. And through cinematic language we reveal the director's personality.

A docudrama presenting the events which explain how and why Charles Spencer Chaplin made alterations to his original ending of the famous movie “Modern Times” following his encounter with the Soviet director Fridrikh Ermler.

On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.

A docudrama, timed to coincide with the centenary of Eisenstein's "Battleship Potemkin", attempts to answer various questions regarding the phenomenon of this celebrated film.