The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

Viktor Mezek, a respected mentor to apprentices, invites his orphaned apprentice Laco for Christmas when his relationship with Hana falters. After the holidays, Laco is taunted over rumors of a homosexual relationship with Mezek and beats a fellow apprentice, risking expulsion, then disappears. Mezek searches the town, his son meanwhile visits and Hana shows them old home footage, until Viktor locates Laco hitchhiking and tries to stop him.

A gloomy tale about a king whose pride robbed him of love, friends and power. A cruel curse is at the beginning of the story of this fairy tale based on an old Irish legend. Until the king's newly born son raises his sword against his father, there will be no spring in the Hawk Kingdom. Although the king orders the counselor Ordon to kill the child, the nurse saves him and entrusts the child to the care of a bird. He names him Christopher and raises him together with his son Janko. Twenty years later, the king succumbs to Ordon's urging to war with the neighbouring King Ubald. It is in this war that the curse is fulfilled and the tragic fate of the new king, who cannot listen to the right mouth, begins to unfold.