In 19th century Brazil, young people in the State of São Paulo fight against black slavery and the farmers who support it. Against this backdrop, Sinhá Moça falls in love with a young lawyer, and they get involved in a great love story.

Simple and popular hillbilly Jeca is forced to get involved in politics, when the leaders of the region, competing to be elected mayor of the town, try to get his support.

Zenó (Mazzaropi) is a poor gardener of a traditional school in São Paulo who falls in love with one of the local girls, much richer and younger than him. Willing to conquer her, he decides to get rich, getting involved in the most varied and funny situations.

Based on true events, the film tells the story of Brazilian outlaw Promessinha, one of the most famous and feared criminals of his time, depicting his crimes and cruelty, until his death confronting the police.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

A man, arrested and tortured physically and psychologically because of a confession he refuses to give, reverses the situation of victim and desperately tries to liquidate the gang that imprisoned him.

In a fictitious country, a civil servant receives the greatest inheritance in history (ten trillion dollars) and is confined by authorities to prevent a collapse of the world economy. But he manages to escape.

Two truck drivers work on Brazilian roads.

A family moves to a farm and witnesses some cattle thefts, then being chased by the criminal responsible for the crimes.

Paranoia, guilt, misery, and technology in the developing country. A fragmented narrative, distorted frames, shouts, and noises. The Nazis take over São Paulo: prison and torture of revolutionaries, a samurai lost in chaos, locked lovers, a dictator and his bunch. Considered one of the most influential films of the marginal period.