An intellectual encounters a youth group that seeks social change.

A director and his crew attempt to make the transition from the small to the big screen.

Mirko and Genziano are two 35-year-old brothers who have not seen each other since their mother died in a freak accident in which they were involved—eighteen years ago. Since then, Genziano left to live in the UK and now is a stockbroker; Mirko instead remained in Rome, to stay with their father Marcello, working at the same run-down family shop. When Marcello dies, he leaves a task for the two brothers in his will: he asks them to take, on an old restored roadster, his ashes to the grave of his old mother in a village in Calabria, where the accident happened.

19-year-old Teo, an aspiring writer who has grown up worshipping the likes of John Fante, Bukowski and Luciano Bianciardi, suddenly finds himself in dire need of becoming financially independent in the wake of his father's health problems, jeopardizing his studies and future.

A young Austrian soldier in World War I fights his way through the Alps to rescue his Italian girlfriend and escape the impending explosion that will rock the mountain.

It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness.

Sid grew up with his mother Arabella in a cheerful and somewhat naïve Apulian community, which was filled with affection and a great passion for cinema. After years away he returns to the land of his childhood where his mother had created a cinematic arena and this trip in his childhood memories will lead to a better understanding of her human and existential aspects.