An antiques dealer misses out on some of life's pleasures because of his obsession with doing everything fast.

Romania had it rough under its last communist dictator, Nicolae Ceausescu, and things are even rougher now. Before, their problems were oppression and poverty. Now, their problem is mostly poverty - and plenty of it. In this grim comedy (to call it a black comedy would be to paint too perky a picture of it), Vasile (Gheorghe Dinica)has a wife whom he's fond of, and a mistress, whom he's fonder of. He manages a nearly abandoned movie theater, and makes just about nothing doing it. When his wife announces she's pregnant, he nearly goes frantic trying to find money to get her an abortion. However, what truly sends him over the edge is when his mistress decides to become a prostitute because, after all, the money is good. These two situations send him straight to the loony bin, and when he gets out, he discovers that his wife has rented their apartment to pornographic filmmakers, and guess who's starring in them?

Being forced into prostitution by her father, she finds solace in her friends and her journal.

Investigation into the death of a modest cashier.

Angela (Liliana Pană) and Dorina (Magda Catone), working at the Match Factory, live in the home and dream of marriage and spouses to give them a decent living. But the illusions are shattered when the men encountered prove their lack of character: Titi (the boy whom Angela is in love with, appears at a time with a kid and is raped), a vendor, is pimp, Emil, an engineer, is a And Radu, an emigrant in Australia, is undistinguished by his Collie dog.

Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceaușescu's regime.