In this delightful romantic comedy, four beautiful women attempt to deal with their sexual frustrations in fashionable Rome society.

Sergio has a degree in botanics, but cannot find a job. Then, he gets the announcement that his former girlfriend is getting married.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.

During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.

In the 1860's, Giorgio (Giraudeau), a young Italian soldier is sent to a remote post, far away from his lover, Clara (Antonelli). He is lodged in the house of the colonel (Girotti). He becames friends with the colonel and the local doctor (Trintignant). Among the inhabitants of the house, there is a strange young woman - Fosca (d'Obici) who is both unattractive and mad. However, she has a passion that Giorgio will have to cope with.

Two neighbours — a persecuted journalist and a resigned housewife — forge a strong bond on the day of Adolf Hitler's historic 1938 visit to Rome.