This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.

Smack bang in the middle of nowhere (or was it somewhere on the legendary Route 66?) two women are thrown together by chance. Stranded tourist Jasmin stumbles out of her unhappy marriage and finds herself at Brenda’s remote cafe and motel. Ordinarily, no one would choose to stay at the Bagdad Cafe but in the dust and isolation, unexpected and extraordinary friendships begin to blossom. The lost are found as individuals transform into an eclectic community bound by music, magic and some very strong coffee.

Based on the novel by Emily Brontë, adapted and directed by Emma Rice. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights. He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed. Shot through with music, dance, passion and hope, Emma Rice (Romantics Anonymous, Brief Encounter) transforms Emily Brontë’s masterpiece into a powerful and uniquely theatrical experience. Lucy McCormick (Post Popular) and Ash Hunter (Hamilton) lead the company of performers and musicians in this intoxicating revenge tragedy for our time.

On a bleak Christmas Eve, a lonely young girl who lives in an oppressive orphanage embarks upon a colorful, fantastical journey of self discovery and love.

A romantic wee ballet – Matthew Bourne’s acclaimed reworking of the classic romantic ballet La Sylphide. Highland Fling tells the story of James, a young Glaswegian who is lured from his nuptial bed by an unearthly siren. As his love for this beautiful ‘Sylph’ becomes an obsession, he embarks on a journey that takes him from the mean streets and nightclubs of Glasgow into a magical world beyond. This gothic fable of winged fairies and kilted ladies - filled with all the wild excesses of romanticism - has been given an ingenious make-over by Matthew Bourne’s New Adventures and is packed with all their trademark wit, magic and wicked humour.

Angélique makes beautiful chocolates, carefully infused with all the emotion that seems to overwhelm her in daily life. Jean-René runs a chocolate factory that is running out of steam, rather like his own existence. Both seek help from the usual sources: Jean-René favours self-help tapes and Angélique joins a support group, Les Émotifs Anonymes. Romantics Anonymous is an unusual and tender love story in which the obstacles to happiness are not the usual external barriers, but those sneaky little ones we know all too intimately: the ones within.

Partners in life and on canvas, Marc and Bella Chagall are immortalised as the picture of romance. But whilst on canvas they flew, in life, they walked through some of the most devastating times in history.

Blue Beard the Magician makes hearts flutter and pupils dilate. With a wink, a stroke and a flick - things just seem to vanish. Cards, coins, scarves… and women. Puff! Gone. Without a trace. He meets his match when his young bride discovers his dark and murderous secret. She summons all her rage, all her smarts and all her sisters to bring the curtain down on his tyrannous reign. Emma Rice brings her own brand of theatrical wonder to this most beguiling and disturbing of tales. With her signature sleight of hand, Blue Beard explores curiosity and consent, violence and vengeance - all through an intoxicating lens of music, wit and tender truth. When someone tells you not to look, OPEN THE BLOODY DOOR