In the face of the onslaught of neoliberalism and the Argentine crisis of the nineties, a new form of organization and solidarity work began to take shape in the forgotten province of Jujuy.

Julian plans to leave a legacy to society. The murder of genocidal dictator Jorge Rafael Videla. Result of a violent society, making a decision violent, Julian run huge risks, but the key is to not become the same monster that wants to kill.

1983: After more than seven years of terror, the Argentineans recover the democracy. The reconstruction of a climate of time and an event that marked a point of break not only in the policy but in the culture and the arts of Argentina

The documentary reveals the narcotic effect the '78 World Cup had on Argentine society, when Kempes' goals masked the horrors of the dictatorship. Recalling the attitudes of Adolf Hitler at the 1936 Berlin Olympics and Benito Mussolini during the 1934 World Cup in Italy, the film argues that the 1978 World Cup was "one of the most blatant political exploitations in the history of sport." Through previously unseen testimonies, survivors' accounts, and previously unreleased archival footage, the film portrays the contradictory duality between the euphoria of a people passionate about football and the simultaneous horror suffered by the victims of a bloody dictatorship.

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

A film that tells the life story of women searching for their kidnapped and disappeared grandchildren, whom they never met and for whom they have been searching and searching for for more than 40 years. In the film, the Grandmothers of Plaza de Mayo tell their story in first-person detail, emphasizing the fact that they were simple women whose lives changed forever and who experienced something exceptional (exceptionally horrific). Together, for more than 40 years, they have worked every day to recover their grandchildren and return their true identities.

The documentary directed by Estela Bravo collects the story of girls, boys and young people who were able to recover their true identity thanks to the struggle of the Grandmothers of Plaza de Mayo. The documentary gives an account of the tireless task undertaken by Estela de Carlotto in the search for the stolen granddaughters and grandsons, as well as to reveal the true story of the horror perpetuated by the last civic-military dictatorship in Argentina.

An Argentinean born Spaniard, writer and journalist, whose parents were tortured and murdered during the Military Coup, returns to finish a novel about them, with the ambiguous determination to get even with their murderer, a former Sheriff who lives nearby in Patagonia. He and the Sheriff's daughter fall in love. He takes DNA samples of the Girl's family and realizes the truth; she is not their daughter, which means she might have been abducted from her murdered parents. He indirectly feeds her mistrust. The girl travels to Buenos Aires to investigate. She finds out the truth and faces her father, who avows never agreeing on saving those children. On her question, "Who am I?" he says she is a mistake and that she is alive thanks to his decision. It is her who ultimately solves the Writer's conflict in a tragical showdown with the Sheriff.

In the midst of a profound economic, political, and social crisis, in April 1982, the armed forces led by the then de facto president, the alcoholic General Leopoldo Galtieri, launched the reconquest of the Falkland Islands. This marked the beginning of a military adventure in the South Atlantic against a world power that laid bare the errors and horrors of the Argentine military regime. This documentary depicts the final act of a bloody dictatorship.

For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.