Directing
Film and Television student at the University of Chile, with an unhealthy obsession for documentary filmmaking. Writing a manifesto against fictions.
Esteban (18), a shy film student, returns for a few days to his hometown of Cañete. There he will try to film the places that marked his childhood, only to discover that most of them are falling apart, just like his memories.
Compilation of images of the small everyday things that inhabit the city, those situations that are constantly lost sight of if you don't pay attention.
Short monologue in which the director reflects on what it means to him to be free.
Exposed, hungry and tired, but always smiling. The documentary explores what a day of up to 11 hours in retail sales is like, where the worker is stripped of something as simple as time - while selling watches.
An account of what it was like to dissociate on a random day on a random street.
A journey through the ruins of childhoods that passed too quickly.
In Cañete there was a large movie theater in the center of town until the 1980s. At that time many things still worked. From a child's point of view, the short film transports us to an ordinary afternoon in Cañete, when people still happily went to the movies despite how difficult life was.
You see the perspective of a child who, after a fight between his parents, waits all day, with a loaf of bread and a cup of tea, for his father to return.
“I'm modern, I take the subway” is a visual story illustrating how the Santiago subway is, par excellence, a symbol of modernity in the city. In it you can see contemporary art, mass and consumer society, multinational companies, the acceleration of life, etc., so the subway has become an overdose of modernity, with all the contradictions that this brings.
It's just 5 minutes of nothing
Documentary short film in which the director returns to the Peleco port after 10 years, remembering and imagining what happened at the lake.