
Acting
Esmond Penington Knight (4 May 1906 – 23 February 1987) was an English actor. He was an accomplished actor with a career spanning over half a century. For much of his career Esmond Knight was virtually blind. He had been badly injured in 1941 whilst on active service on board HMS Prince of Wales when she fought the Bismarck at the Battle of the Denmark Strait, and remained totally blind for two years, though he later regained some sight in his right eye. During this period, Esmond dictated an early autobiography to his secretary, Annabella Cloudsley, Seeking The Bubble (Hutchinson & Co. 1943). He played the captain of the HMS Prince of Wales in the 1960 movie Sink the Bismarck! He starred as Professor Ernest Reinhart in the 1961 British science fiction television series, A for Andromeda, alongside Patricia Kneale and Peter Halliday. His daughter is the actress Rosalind Knight. Knight died of a heart attack. He was cremated. Description above from the Wikipedia article Esmond Knight, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

Henry VIII of England discards his wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.

Winner of four Academy Awards, including Best Picture and Best Actor, Sir Laurence Olivier’s Hamlet continues to be the most compelling version of Shakespeare’s beloved tragedy. Olivier is at his most inspired—both as director and as the melancholy Dane himself—as he breathes new life into the words of one of the world’s greatest dramatists.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

Adaptation of the play Music at Midnight, set in the Iron Curtain.

British agent Alec Leamas refuses to come in from the Cold War during the 1960s, choosing to face another mission, which may prove to be his final one.

A young Scotland Yard police academy recruit tries to break up a gang of thieves.

As the Nazis grow ever more powerful in Germany, Werner grows up in an aristocratic household, hating his domineering father and making enemies in high places.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.



