A group of Parisians frets over the minutiae of life in the course of one week.

This way-offbeat comedy from Gallic director Jeanne Labrune concerns two young French women, best friends Léa and Jacinthe. While Jacinthe develops a fixation with the moths that begin to cluster in frightening quantities throughout her apartment, Léa finds herself drawn to a dim-witted fellow employed by a local supermarket, then impulsively decides to follow him home via train. When Léa mysteriously disappears during the days that follow, Jacinthe naturally grows concerned about her friend and decides to investigate.

In 1924, female workers in a sardine cannery in Brittany went on strike.

During the night of August 4-5, 1952, three Englishmen, Jack Drummond, his wife Anne and their daughter Elizabeth were murdered near their car near the farm of the Dominici family, in the commune of Lurs in the Alpes-de-Haute-Provence. Denounced by two of his sons, the patriarch Gaston Dominici was judged and condemned without any real evidence.

Born out of wedlock early in the last century, Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près. An intense lifelong relationship develops between the two women authors, based on Violette's quest for freedom through writing and on Simone's conviction that she holds in her hands the destiny of an extraordinary writer.

French filmmaker Eric Lartigau directs the anarchic buddy comedy Bullit and Riper, originally released as Mais qui a tue Pamela Rose? French comedic television stars Kad Merad and Olivier Barroux are both the protagonists and the screenwriters. As a parody of Hollywood cop films, the story is set somewhere in the American Midwest as fabricated by the French. After losing his regular partner, FBI agent Richard Bullit (Merad) gets assigned to the book-learned cop Riper (Barroux) to investigate the death of a stripper. American movie stereotypes abound, such as shock jock Phil Canon (Gérard Darmon) and sheriff Steve Marley (Jean-Paul Rouve).

We see how a man, who has no memory of his past, deals with his past when he finds out about it.

Paris of the 1930s, in the world of little rascals. Loulou gus is in the shade. To get a clean crust, it needs sorrel, fuzzy, dough. Especially since he owes a package to Pierrot's band that is close to making his skin. But Loulou is madly stiff. Luckily, Paul, who has a crush on her, spins in a small jewelry store. This is the perfect breakage opportunity. From a frill-frac behind the fagots. But Jo, Loulou's acolyte, who has no gas on all the floors, promises us not the breakage of the century, but at least the breakage of the evening… And then the Mother Mercandieux, jeweler of father in girl, is not ready to leave his jewelry to this band of thugs ... Especially since Paul is not going to let himself be told too long. So beware, there’s going to be some mayhem!