Robert Lambard, son of a respected Parisian banker, seduces Marguerite Walser, the sister of Guy Walser, a diligent general manager employed by his father. At these times, especially in the upper social class, such an act is of course not without social consequences, and so Guy, after learning about this relationship, demands Lambard junior to marry his sister in order to restore her "soiled" honor . But he just laughs about it and brusquely rejects this request. Since Monsieur Walser puts the family honor and that of his sister above everything else, a heated argument ensues, in which Guy summarily kills the "despoiler of Marguerite's honor". Now Guy's life is destroyed too, because he is put on trial for this bloody act. There will be a convictionmanslaughter for ten years behind bars. This punishment is connected with a deportation. For seven years, Walser spent the life of a Bagno convict in nowhere, he was an outcast.

Fritz is in love with artist Glay, who stays at the Grand Hotel. In spite of not having any money he gets to know her, invites her to supper and after dancing a tango even hires the royal suite. How will he get out of this is a mystery even to himself.

In this tangled case, Webbs is called in to solve a string of alleged suicides. The case is very opaque - nothing is what it seems at first glance. Are the suicides really dead? Webbs initially suspects an Indian servant of a nobleman, but thanks to Stuart's investigation, he is proven innocent. The other exotic characters appearing in the story all seem quite opaque and devious, as if they were in league with evil per se. Finally, in a dark vault, there is a showdown: the seemingly petrified dead, lined up like in a wax museum, suddenly awaken to new life in front of their alleged murderer!

This biographical portrait of composer Richard Wagner (1813-1883), feature-length and lavishly produced, was released in conjunction with the centennial of his birth. It's an outstanding achievement in many respects. Naturally it looks primitive by modern standards, but contemporary viewers should bear in mind that it was made at a time when the motion picture industry was still in its infancy, and feature films were still a novelty. The very notion of a silent movie about a composer may seem odd, but Wagner is an ideal choice, simply because his life was so tempestuous and dramatic. Wagner's personality was operatic, while his tumultuous love life unfolded like a soap opera. He knew great success and abysmal failure, luxury one day and poverty the next. He participated in the wave of revolutions that swept Europe in the late 1840s, and had to flee Germany under threat of arrest.