Drama about the rebellion of the Trencín Infantry Regiment against its superior officers in the Serbian city of Kragujevac, at the end of the First World War. It was the biggest and deadliest rebellion in the Austro-Hungarian army.

The drama of a young Slovak army officer who gradually realises the horrors of fascism during the fighting in Ukraine. On his return to Slovakia, he joins the SNP. However, he cannot overcome his loner attitude or his doubts about the meaning of partisan activity.

This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.

Contemporary satire denounces careerism, dictatorial ways, sycophancy and servility. An inconspicuous official Javorník pretends to have saved the director of the company from drowning, thanks to his qualities he gains his favor and rises in positions. He even becomes the director's brother-in-law and eventually replaces him in the position. he is given a job position for which he has absolutely no adequate skills. Javorník's professional and official rise is accompanied by his moral decline. However, another inconspicuous official appears near him and it seems that the carousel will repeat itself.

During the Slovak National Uprising, even ordinary people were determined to perform heroic deeds, even though they knew they were exposing themselves to great danger. The heroine of this film, a simple country woman, has a hard time paying for her bravery: she is sentenced to death, postponed for now so that she can nurse her recently born baby. She is even offered salvation if she betrays, but the presence of a member of the Soviet army infuses her with determination and hope. Early Spring belongs to the usual schematic, lifeless staged views of the subject that the communist regime has elevated to the level of sacred matter.

Nazi soldiers committed atrocities even when sober – and if they got drunk, they did even worse. The inhabitants of a Slovak village during the national uprising learn this when they have to accept an arrogant Hitlerite guard. When two soldiers go missing, the unit commander threatens to have five hostages executed for each of them as a warning. And he refuses to change his order, even when it turns out that drunkenness is to blame for the unfortunate incident. But the villagers get justifiably angry and take up arms.