German photographer Daniel Bert, who comes to Istanbul to do photo shoots, meets Can, who is a zenne at a nightclub, and Ahmet, who comes from a conservative eastern family.

Loving Istanbul couple Ayşe and Cemal need only a child to complete their life together, but they cannot conceive. To salvage Cemal’s pride, they resort to illegal means to procure a baby. This wild grab at a more perfect life proves their undoing, leading the couple to spiral toward separate futures. The couple's estrangement is intertwined with the film’s parallel narrative, in which a distant and neglectful single mom is raising her little boy, Can.

When a serial killer goes after former convicted pedophiles, it is up to Police Commissioner Abbas and his Chief Celal to stop the killings.

A long story that started and ended at the station.

Quiet and introverted toll booth clerk Kenan's life, a humdrum routine between the Tavsancik toll booth plaza and his home, will change the day the new operations chief comes to inspect Tavsancik.

A biopic about the Turkish vocal artist Müslüm Gürses. Born into a poor household, Muslum found his redemption in music from the initial trauma that lingered over his musical and personal life as internalizing the grief. He rose through his ashes of shattered dreams like a phoenix. He walked in darkness, sang songs filled with sorrow which stirred people's souls and created a cult following. They were calling him "Baba" (The Father).