The film is set in the Norwegian high mountains in the 1820s, where mysterious natural phenomena play an important part in the plot. Young Knut Formo has gone to the mountains to hunt the great white reindeer. He spends five days hunting the buck, but never manages to catch it. We experience the tension as the rifle is aimed at the buck and his fingers curl around the trigger, and we experience the disappointment when the buck runs away after the shot. Knut gradually becomes exhausted. He begins to mix dreams and reality as his strength ebbs away. The fantasy world becomes a natural part of life for a person closely connected to a powerful nature. Based on an original screenplay by Erik Løchen.

A love triangle of two men who desire the same woman. We follow them through three days of grouse hunting, a chase that ends violently. Or does it?

A woman runs over a dog, and the accident is investigated by the police. She meets a man in a gallery, and they begin a relationship. But aside from this straightforward storyline, nothing about Fabel is simple. It is an absurd film, inspired by Eugène Ionesco and Samuel Beckett’s theatre of the absurd.

A meta-film about a film and the common man in our own political reality. A reality that is just scenes of a film without any cinematic development, but which might be plain reality tomorrow.

Erik Løchen struggles to find the midnight sun.

When the film was made, 15 smallholdings were being abandoned every day. People were moving to the city for better income opportunities and cultural improvement. But were they any happier?

A unique insight in Oslo's school system, post war. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Theater and concert are offered in Oslo a fall night. For the evening, Norwegian actors go to work and prepare for the performance. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

A local theatre company prepares for a production of Ivar Aasen's Ervingen.

The film offers an insight into Oslo’s art scene, from teaching at the National Academy of Fine Arts and Kunstnernes Hus to major galleries and museums. We visit the National Gallery and encounter key artists such as I.C. Dahl, Christian Krohg, and Edvard Munch. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.