The volatile bond between two young women threatens to combust in the face of an incomprehensible catastrophe.

A secretary in a surreal office begins to suspect that she may not actually exist.

The volatile bond between two young women threatens to combust in the face of an incomprehensible catastrophe.

A secretary in a surreal office begins to suspect that she may not actually exist.

A lonely young woman is selected as a finalist in an international competition to send four civilians to Mars, forever.

A lonely young woman is selected as a finalist in an international competition to send four civilians to Mars, forever.

We all know better than to click on a pop-up ad promising us thousands of dollars. We all know better than to go into debt. We all know better than to take a job that promises easy cash. But we all make mistakes, and Melissa Howell (Katherine Cullen) has somehow found herself at the intersection of broke and desperate. While ignoring calls from a debt-collection agency, she takes a job at as a quasi-telemarketer, selling vacation packages to people who call in thinking they’ve won a cash prize. At job orientation, she meets her gratingly enthusiastic boss Frances (“you can call me Fran”), played by Erika Batdorf, and a happily spacey co-worker, played by Lesley Loksi Chan.

Somewhere in the shadows of Brooklyn's Gowanus Canal, a young woman spends her nights alone, lurking in internet chat rooms and meticulously constructing a 'vision board' of an ideal future, while her real life crumbles around her.

Somewhere in the shadows of Brooklyn's Gowanus Canal, a young woman spends her nights alone, lurking in internet chat rooms and meticulously constructing a 'vision board' of an ideal future, while her real life crumbles around her.

The volatile bond between two young women threatens to combust in the face of an incomprehensible catastrophe.