
Directing
Cultural Medallion recipient and award winning film maker Eric Khoo who helms Zhao Wei Films/ Gorylah Pictures has been credited for reviving the Singapore film industry and for putting Singapore onto the International film map in 1995. He was the first Singaporean to have his films invited to major film festivals such as Berlin, Venice and Cannes. Khoo was awarded the Chevalier de l'Ordre des Arts et des Letters, from the French Cultural Minister and his feature, My Magic was nominated for the Cannes Palme d'Or in 2008. Khoo was profiled in Phaidon Books, Take 100 the future of Film - 100 New directors. The Pompidou Centre in Paris held an Eric Khoo film retrospective and he served as President of the Jury at The Locarno international film Festival in 2010. In 2011, he released his first animated feature, Tatsumi, which was invited to the 64th Cannes Film Festival and made it's North American premiere at The Museum of Modern Art (MoMA). Zhao Wei Films represents filmakers Boo Junfeng, Anthony Chen, and Brian Gothong Tan.

A profile of Toh Hai Leong, the director of the Singaporean mockumentary Zombie Dogs, and his battle with Type 2 diabetes.

From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.

Southeast Asia Cinema - When the rooster crows is a voice of diversity reaching for change. Brillante Mendoza, Eric Khoo, Garin Nugroho, Pen Ek Ratanaruang give voice to a region rich with traditions, ethnic groups, languages, politics, and religions. It is cinema, at its purest form, fighting for freedom of expression, documenting real lives of ordinary people, giving voice to the underdogs and the outcasts. The amalgamation of these aspects gives birth to an ultra-neo-realistic cinema language currently unique to films from this region.
Uncovers the remarkable story of how this small nation has made an indelible mark on Asian cinema in the past five years. Through exclusive interviews and captivating scenes across seven countries, we learn the rich diversity of Singaporean stories, and cast a forward-looking gaze towards an exciting cinematic future. A documentary commemorating the 25th anniversary of the Singapore Film Commission.

Liang Po Po: The Movie is a Singaporean film directed by Jack Neo in 1999. It stars the comedian director Jack Neo himself, who cross-dresses as the titular old lady, which in English is translated as "Granny Neo". Liang Po Po, a lovable 85 year old granny, decides to leave the Old Folks Home in search of a new life. Believing that she can still contribute to the good of the society, the determined old lady sets on a path where she soon realizes how her trusting and naïve nature can be used against her.

Set in Singapore in 1979, A Year Of No Significance chronicles the gradual disintegration of a middle-aged architect as changes rock the 45th year of his life. Sidelined in the office because of his inability to speak English, Lim Cheng Soon is cut further adrift when his wife leaves him inexplicably one day. His elderly father moves in, forcing him to confront the fact that the former has always preferred his younger brother. Robbed of his identities as architect, husband and son, Cheng Soon struggles in the dusk of his life, raging against the dying light.

Animated film based on the life and stories of Manga writer Yoshihiro Tatsumi who revolutionised the art form with darker, more adult stories. The film animates several of his stories.

A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.

Five troubled teens, abandoned by society and family, form a bond in a world of violence, drugs, and self-destruction, facing harsh realities of modern Singapore.

Three tales of love wrap around the true story of a blind and deaf woman named Theresa Chan. In the first an elderly shopkeeper is devoted to his sick wife. In the second, two teenage girls become soul mates and lovers. In the third a chubby security guard tries to find the courage to woo a beautiful woman who works in his building.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
The film deals with a young man, following his “endeavors” in the city he lives in, which mostly comprise of him roaming the streets aimlessly. In the beginning, he seems peculiar but still normal, but as the story progresses, the portrait of a sadomasochistic man is revealed quite eloquently.
