A young Swiss drug addict has been imprisoned for robbery, and must wait and wait for his upcoming trial, all the while isolated and without hope of parole - the police are convinced he is a dealer and not just a user. He hears from his son that his girlfriend has a new man, and begins to despair of ever coming to trial, or of having another relationship like the one he lost. This fiction film is said to be based on a true story.

An interview with film director Josef von Sternberg, produced for Belgium television.

An interview with film director Josef von Sternberg, produced for Belgium television.

After debuting in 1983 with Casta Diva, Eric de Kuyper immediately made Naughty Boys in 1984, a film that he himself described as “a sad musical comedy” in which he pays homage to the old musicals and comedies. The film is set in an unspecified time, somewhere between both World Wars in a large English country house. Six gentlemen in dinner jackets try to maintain the atmosphere of a party that has just ended. Naughty Boys was the second film De Kuyper made with friends and students, but here for the first time they were joined by a “professional” actress, Linda Polan.

A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.

Ariane lives with Simon in his large Paris flat. Simon is obsessed with her: he wants to know everything about her, secretly follows her when she goes out, asks questions all the time, even in the most intimate moments. Ariane seems to take it all in stride, but Simon realises that she's hiding something.

Single woman Charlotte tries to write erotic fiction despite not having any sensual experience.

In a series of long held shots, men are observed performing simple tasks in real time, while on the soundtrack we hear excerpts from opera.

Film professor Michael falls in love with one of his students and is confronted with his pupil's father, with whom he had an affair over 15 years ago. This unexpected meeting abruptly overturns the lives of all the characters. When the tutor decides to undertake a planned trip to London, not with the son but with the father, he is once again forced to choose; this time between his wife and his friend.

A series of short vignettes set in a Berlin Mietskaserne (rental barracks for the poor), framed by Schönberg's atonal piece Pierrot Lunaire.