Matilde lives in a cramped house on the beach with his grandfather. To make some money, she scours the sand with her metal detector hoping to find something of value. On a cold winter morning, Matilde will discover an object which will change her life forever.

Ambientato in Val di Susa e tratto da un fatto di cronaca realmente accaduto, il film narra le vicende di due onesti lavoratori che, assillati dai debiti e dall'ansia per il futuro, decidono di provare il colpo della vita. I due organizzano dunque un rapimento, ma non avendo il coraggio di rapire una persona viva, decidono di rapire un morto, ma uno importante, per poter chiedere il riscatto. Ed è così che un operaio, soprannominato Pes (Enzo Iacchetti) e un piccolo imprenditore, soprannominato Crodino (Ricky Tognazzi) si trovano a trafugare la salma di Enrico Cuccia, noto finanziere. Pur nella loro ingenuità e totale inesperienza, i due riescono, senza neanche rendersene conto, a tenere in scacco per giorni le forze dell'ordine e a scomodare perfino i servizi segreti.

A bad boy and a socialite girl hook-up.

A university researcher is fired because of the cuts to university. To earn a living he decides to produce drugs recruiting his former colleagues, who despite their skills are living at the margins of society.

Intertwined stories of 50somethings that won't give up on their glory days.

A family portrait in Tuscany. Leonardo and Riccardo fight to defend what they really love - Leonardo is looking for freedom and Riccardo for family.

Alfredo talks to himself or rather talks with a cigarette—bad thing loneliness, real loneliness, especially at the age of seventy. Alfredo is a man who has loved another man, Mario. He loved him so much that he found the courage to come out and lose his job and family. Mario, on the other hand, continued his married life, then became a father and finally a grandfather, because he is gay, but only part-time. Alfredo cannot bring himself to let him go, but neither can he live that relationship in the middle, so separation becomes inevitable here. At first, Alfredo convinces himself that he can escape the melancholy but then he accidentally slips on his partner's shirt and sees their whole life together again. Yes because all it takes is a scent, a smell to return there, where one was loved. Mario no longer wants to separate himself from that smell, which turns into an obsession, convinced that once it is gone, the last traces of their love will also disappear.