He was born in Granada, the only city in the world with an explosive name. At the age of ten he joined the Falange because he wanted to play the drum. His biggest musical influences have been Holy Week and his first host, the one he was given at birth. It was produced at the age of sixteen. A little later he began using drugs to escape. he should have died before thirty. For forty years he has hit the drums as life has hit him, with all his might.

Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.

Documentary about the revolutionary flamenco-rock album "Omega", composed by maestro Enrique Morente and the Granada group Lagartija Nick in 1996. A groundbreaking album with great impact on the national and international music scene in which Morente adapted songs by the singer-songwriter Leonard Cohen and he put music to poems by Federico García-Lorca.

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.