Camera
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To live is to dream and to fight to communicate and ward off loneliness. In this sexually-charged experimental, two men find each other in a time of need.
Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.
Created within forty-eight hours of Che Guevara’s death, Hasta la Victoria Siempre is a Cuban documentary tribute that combines archival footage, speeches, and images of revolutionary struggle to commemorate Guevara and reaffirm the ideals of the Cuban Revolution.
This film confronts the failures of the Cuban economy, although it is made in a Guevara-like spirit of moral exhortation rather than criticism.
