Art
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Television special of five episodes directed by Alfredo Di Laura dedicated to the exhibition "Attivo. Performance e Dibattiti" curated by Tommaso Trini.
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.
In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.
Set during the second world war, the sentimental education of a sensual adolescent girl, growing out of her childhood in a small, impoverished village in Southern Italy.
The Minister of the Interior gets stuck in his ultra-technological car and a rival Member of Parliament tries desperately to help him, while chaos spreads around them.
Ester finds herself sexually attracted to her newly divorced friend Adele. When Ester admits another love to her hot-headed husband, he searches manically for the rival, who he never suspects is a woman.
Hud Dixon returns to his hometown when his brother is killed by a lynch mob.
In pre-World War II Sicily, just as the fascists come to power, two men fall in love with the same woman. The changes in their country's politics ultimately take all three on a journey across the ocean to New York City.
Deathly ill Count Dracula and his slimy underling, Anton, travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore, who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario, who's suspicious of the aristocratic Dracula.