In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English Baroque Soloists perform Gardiner's new interpretation of this classic piece. For the renowned conductor, this Weimar concert is a special performance, marking the start of his Bach Cantata Pilgrimage. With this new interpretation of the Christmas Oratorio, Gardiner shows himself once again to be an incontestible specialist of Bach's music. Including two complementary documentaries: J.S. Bach: Jauchzet, frohlocket! An Introduction to the Christmas Oratorio presenting the best performers in their field, including John Eliot Gardiner, the Monteverdi Choir founded by him, the English Baroque Soloists, as well as other internationally-known vocal soloists.

Two of Mozart's best-loved choral works - the 1791 Requiem, and the Mass in C minor, both of which were unfinished when he died. Performed at the Palau de la Mùsica Catalana in Barcelona in December 1991 to commemorate the 200th anniversary of Mozart's death.

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century

In the magnificent rooms of the Galleria Borghese in Rome, John Eliot Gardiner and his ensembles The Monteverdi Choir and The English Baroque Soloists bring together the music of Claudio Monteverdi and the paintings of Caravaggio. The encounter of two works whose creators revolutionised their disciplines.