Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.

The melancholy Candy runs the Half Mortal, a trendy bar in Hong Kong. She hires Paul; Stella, a part-time employee who's a college student in psychology, trains him. He has a gift for mixing the perfect drink to fit each customer's emotional needs. His own emotions, however, are complex: his father, an alcoholic, has died recently; he's abandoned his studies; and, although he's likes Stella, he's a tyro with women and inarticulate with her. Is alcohol the key to happiness, as Paul wonders; does it simply change peoples' personality, as Stella thinks; or, is it just there, as Candy's business sense tells her? Can Paul and Stella blend into something smooth?

On a night just like any other, a minibus full of passengers drives through a tunnel and arrives in another dimension; the eclectic group of passengers seek refuge in a deserted cafe and make a horrific discovery.

A confrontation between two Hong Kong immigrants – one a cab driver from Mainland China, the other a lawyer and refugee from Pakistan – spells disaster for their families, especially the lawyer's young son.

Taking place before the hand-over of Macau back to the Center Government of China in the 1990s, the film starts off with the two main characters cautiously cleaning up a crime scene. Who did they murder? Why they have to kill that person? What will happen to them?

The undercover agent with dragon tattoo Kowloon continually helped the police to solve mysterious cases, which made him known as a rising star. However, his impulsive personality dragged him into endless troubles. He got himself into fights with the Macau detective, as well as an American Army veteran Alexander who has a secret linkage to Kowloon’s background…

Anyone who has anything to do with the film industry in Hong Kong, must have heard of a film buff called Lil’ Kim. He knows everything there is to know about filmmaking. Whether it’s on the set, at the movie premiere or at a press conference, he always shows up uninvited. Nobody knows where he came from and why he showed up… Ginger Keung is the producer of a reality show who suspects Lil’ Kim is in fact a film critic who pans movies to extort advertising dollars from film companies. She zeroes in on Lil’ Kim as her next target and decides to dig into his elusive past…

A loser single father learns that lesson the hard way when he becomes gifted with the power of seeing one second into the future. When his ability is exposed, a boxing buff persuades him to use his power in the boxing ring. After reviving Hong Kong’s vampire genre as the co-director of Vampire Cleanup Department, Chiu Sin-hang combines the boxing genre with a refreshing dash of fantasia in his thrilling solo directorial effort.

Choosing between family, school and her dream, which will it be, will Fong return the school or step on the stage?