Aykut moves to a new private school in the middle of the year with his father, who is the principal. There are two separate groups between girls and boys at the school, which Aykut's father Nurettin tries to keep in line. The girls' group is 'Adab-ı Muaşeret' and the boys' group is 'Mokokolar'. Groups where not everyone is accepted are feuding mischievously among each other. A love affair begins between Aykut and Zeynep, the leader of 'Adab-ı Muaşeret', but they both have reasons to keep this love secret.

Police officer Sedat raids a derelict apartment squatted by a young couple. The man is killed, the young woman, Ayşe, escapes. When her friends and relatives offer no help, Ayşe is forced to steal cash and a car from her father and flee town like an outlaw. The chase goes deeper into the wild. Along with three men he has recruited, Sedat is pursuing her, out to kill in the name of honour. Taking off from the suburbs of Anatolia, Av: The Hunt continues reaching breath-taking natural landscapes, and recounts how a young woman is pulled into spiral of violence while trying to escape the patriarchal society she lives in.

Police officer Sedat raids a derelict apartment squatted by a young couple. The man is killed, the young woman, Ayşe, escapes. When her friends and relatives offer no help, Ayşe is forced to steal cash and a car from her father and flee town like an outlaw. The chase goes deeper into the wild. Along with three men he has recruited, Sedat is pursuing her, out to kill in the name of honour. Taking off from the suburbs of Anatolia, Av: The Hunt continues reaching breath-taking natural landscapes, and recounts how a young woman is pulled into spiral of violence while trying to escape the patriarchal society she lives in.

Police officer Sedat raids a derelict apartment squatted by a young couple. The man is killed, the young woman, Ayşe, escapes. When her friends and relatives offer no help, Ayşe is forced to steal cash and a car from her father and flee town like an outlaw. The chase goes deeper into the wild. Along with three men he has recruited, Sedat is pursuing her, out to kill in the name of honour. Taking off from the suburbs of Anatolia, Av: The Hunt continues reaching breath-taking natural landscapes, and recounts how a young woman is pulled into spiral of violence while trying to escape the patriarchal society she lives in.

Mehmet, presenting himself as a film director, is on the look out for an actress to star in his next film. He offers amateur filmmaker Emre the casting job, wanting him to audition the candidates, chose the most appropriate one, and follow her candidly with his camera. Emre accepts, not knowing that he in return has also been filmed during this meeting. Emre auditions several female candidates, eager to star in a feature film, and then chooses one to follow, as instructed. Eventually, the main participants are gathered in an old, abandoned mansion on Prince's Island, off the coast of Istanbul.

A director and a screenwriter are invited by Istanbul Modern to shoot a film for the 100th anniversary of Turkish cinema. Determined to find inspiration from the cult Battal Khan movies, the duo encounters unexpected mishaps.

A director and a screenwriter are invited by Istanbul Modern to shoot a film for the 100th anniversary of Turkish cinema. Determined to find inspiration from the cult Battal Khan movies, the duo encounters unexpected mishaps.

A director and a screenwriter are invited by Istanbul Modern to shoot a film for the 100th anniversary of Turkish cinema. Determined to find inspiration from the cult Battal Khan movies, the duo encounters unexpected mishaps.

The world is ending, but the president of The Grand Turkish Republic won’t let that happen until he has a chicken schnitzel. Gleefully silly science fiction satire with political bite.

Omnibus of five short films that were shot in the Turkish province of Kars, on the border with Armenia. Among the five directors are three debutants who were chosen to film their stories after winning a scenario contest. The final result is a sympathetic collection of films that remain small and simple: the puppy love between a boy and a girl on their winter trip to school, the memories of a young woman about her mother's response to her first menstruation and bra, and the story of a student who returns to his village, but all too soon flees again for the past that is waiting for him there. The stories take place strikingly often around the cemetery and look at things from the past being revealed. The last contribution to the omnibus film is also significantly called ‘a small truth’.