When mobsters try to put an honest policeman on the payroll, he seeks revenge on the mob. But, he soon learns that his actions, however honest, have dire consequences.

A detective gets involved with the beautiful daughter of an old friend. The daughter turns out to be a jewel thief, who in turn gets the detective involved in a caper in Austria.

Just out of prison, ex-con Ugo Piazza meets his former employer, a psychopathic gangster Rocco who enjoys sick violence and torture. Both the gangsters and the police believe Ugo has hidden $300,000 that should have gone to an American drug syndicate boss.

When a shipment of heroin disappears between Italy and New York, a small-time pimp in Milan is framed for the theft. Two professional hitmen are dispatched from New York to find him, but the real thieves want to get rid of him before the New York killers get to him to eliminate any chance of them finding out he's the wrong man.

The engineer Furio Cicerone came up from nothing and entered the circle of the great industrialists; he is married to Clara, but has a series of adventures with other women. Gianni is part of the powerful from birth and is used to having everything he wants and wants Clara. But Clara does not want him. Then there is an opportunity: Furio wins an important foreign contract, but needs to have immediately 500 million while the bank can not give it to him before five days. Gianni will lend him money, without interest for five days but for every day of blackberry Furio will have to give him Clara. Furio and Clara accept the contract.

When women were called Madonna is a film of 1972 directed by Aldo Grimaldi . The film is one of the first Italian erotic comedies in which a licentious bursting Edwige Fenech struggles with the nagging demands of three suitors.

World War II soldiers enter Sicily to seize German arms supply only to discover there is not a gun in sight.

Lando Buzzanca plays a man desperate to father a male heir. However, his wife (Roseanne Podesta) is apparently barren. They decide to use a surrogate mother, which, since this was in the days before artificial insemination, means Buzzanca will have to impregnate the surrogate the "old-fashioned" way. After a mishap involving a VERY unattractive but fertile widow, Buzzanca sets his sights on young girl (Gloria Guida) at an orphanage for unwed mothers (who has already given an illegitimate child up for adoption). They hire her as a maid, but she is under the impression they're going to adopt her, leading to some quasi-incestual misunderstandings...

Two mafia bosses, Don Antonio Marchesi and Don Peppino Scalise, battle over building contracts in Palermo.

Sicilian baron, Mimì Galluzzo, will be able to enjoy the legacy of his deceased father-in-law on two conditions: that his wife accepts the will and that there is a compromising document to be delivered to the mafia. While, however, the precious "dossier" is, in reality, in the hands of an avid widow, Donna Maria, willing to sell it only if Mimi marries her. Rosalba, obsessed with the absence of a child, suddenly goes mad or pretends 'go crazy. Recommended by Donna Maria, of whom he became the lover Don Mimì tries, with the help of his friend Langatta, undertaker, and a nurse in the clinic in which Rosalba was hospitalized, to get rid of his wife. Instead, he finds himself without having reached his goal, involved in an obscure series of crimes that will make him lose his mind.