Based on the Take That musical, five best friends have the night of their lives seeing their favourite boy band in concert. Twenty-five years later, their lives have changed in many different ways as they reunite for one more epic show by their beloved band, to relight their friendship and discover that maybe their greatest days are ahead of them.

Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.

Bereaved father Eoin struggles to survive in a mountainside cave after an injury leaves him lame and starving. Desperation drives him to abandon his solitude and descend into a perilous, famine-stricken landscape.

Andy and Maggie, a young Irish couple, travel to England as the result of an unplanned pregnancy, where Maggie will face the biggest decision of her life.

Aisha lives at a centre for asylum-seekers in Ireland in a state of ongoing uncertainty. Having fled Nigeria after a violent gang murdered members of her family, she is desperately trying to find some degree of permanency, where she and her mother can be reunited and live without fear. As she navigates the complex legal system to seek settlement in Ireland, she sparks an unlikely friendship with Conor, a new guard at the centre. A former prisoner, Conor’s life experience and calming presence resonate with Aisha, allowing for a tentative romance to begin. But the bond between the pair comes under strain as the threat of deportation looms ever larger.

For Dan, ALEX is more than a virtual assistant; he's his soulmate.

A reading of Seamus Heaney's poem Mycenae Lookout propels Cassandra, a young actress, into addressing her own personal trauma during the sectarian violence of 1990's Northern Ireland. A sensorial and immersive trip into a young woman’s psyche, Spirit Level, boldly dissects the emotional manipulation of re-enactment, cinema as an unreliable historian, and the vampiric relationship between identity and performance.

Adapted by Conor Montague from his award-winning short story, Nothing to be Done is part monologue, part tone poem, a lament to lost friends, and an elegiac reflection on memory, place, and the city of Galway.

A brutal femicide has shaken the coastal city of Galway. Criminal psychologist Cathrin Blake, who was personally close to the young victim, is particularly distraught. The dehumanising violence against a defenceless woman challenges Cathrin not only professionally, but also, and above all, emotionally.